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Railroad Poetry Lesson
By Ruby Bernstein

Overview

The railroad is an important agent in the journey metaphor that runs throughout Willa Cather's The Song of the LarkGiven the pervasiveness of this image, you can use railroad poetry in combination with the text to enrich your students' understanding and analysis of the novel.  Depending on the level of difficulty of the poems that you select, this lesson on railroad poetry can be used with high school students of all ages and ability levels.  The poems are best interspersed throughout the reading of the novel but can also be studied as a unit by some students while more advanced students finish the novel independently.  Suitable for all high school grade levels

Objectives

  • Understand the language, tone, and theme of a variety of poems by 19th and 20th century poets concerning the railroad
  • Keep a poetry log while reading the novel
  • Compare and contrast the language and themes of 19th century versus 20th century poets concerning the railroad in an expository essay
  • Expand appreciation of poetry by reading and focusing on poems with one common subject
  • Work in groups to present a reading and analysis of a new railroad poem
  • Write a contemporary poem, using the railroad, the subway, the local community's rapid transit or light rail as the subject
  • Study Willa Cather's descriptions and references to the railroad in her novel and link those, where appropriate, to the poems studied

Skills Attained

  • Practice techniques for close reading of fiction and poetry
  • Learn to write a summary
  • Use the writing process to compose a comparison/contrast essay and practice the various methods for organizing this essay
  • Improve oral reading skills
  • Take responsibility for learning through group work
  • Appreciate poetry through reading poems and writing own poetry

Lesson Outline

I.  Introduction and Preparation

    In preparation for this lesson, students should keep a log of Cather's references to the railroad while reading The Song of the Lark. Alternately, you may distribute a set of quotations from the text. At this stage, class discussion should include (1) the importance and fascination of trains in the novel and (2) how the railroad has been the subject of song and of poetry.  Ask students to list titles of rail poems that they already know, e.g., "Casey Jones," "I've Been Working on the Railroad" and "John Henry."

II.  Selecting the Poems

    If possible, obtain a class set of The Great Machine and allow students to select the poems to be read, discussed, and interpreted from that publication.  If this anthology is unavailable as a class set, you should locate at least 20 railroad poems (see suggestions at the end) to distribute as sets to the class.

III.  The Process

    A.  Independent Reading Assignment (2 days)

    1.  Based on a thorough review of all the materials that you have handed out, ask students to personally select poems that the following categories:

    • The most beautiful poem
    • The most shocking poem
    • The most emotive poem (e.g., it must cause their hearts to "skip a beat")
    • The most thought-provoking poem
    • The most ______ poem (you choose the category--e.g. most humorous, puzzling, romantic poems)

    Emphasize that their selections should be poems that they understand and appreciate.

    2.  When they have chosen a poem for each category, the students should do the following:

    • Write the title and page number for each poem on a separate piece of paper. 
    • Include a brief paragraph explaining their choices 
    • Bring this paper and book (or set) to class on the assigned date

    They should not confer with other students when making their choices;   these selections are to be independent decisions.

    B.  Small Group Discussion and Interpretation (2 days)

    1.  Divide a typical class of 25 students into five groups of five students each; each group handles only one category of poems.  To form the groups, ask each student to select one category to further explore. You should list each category on the board (shocking, beautiful, etc.) and then select volunteers.

    2.  Students are asked to share their selection with fellow group members. Instruct each group to select one exemplary railroad poem within their category to present to the class. Each student must share at least one poem with the group before they reach consensus on a selection. Use the task worksheet below to provide instruction to the small groups.

    3.  During the small group discussions, keep in mind the following:

    • As a coach, you should circulates among groups to ask questions to help students explicate, interpret or express an opinion.
    • Ask students to cite images, words or phrases to support their point of view.
    • Suggest another poem they can look at for contrast, similarity of theme, etc.
    • At the end of small group sharing, ensure that no two groups select the same poem and that poems selected are appropriate.

    Small Groups Instructions

    1.  Determine/define the nature of your category by answering the questions that have been posed for your particular group.

    Most shocking poem group:

    • What is shock? 
    • How does it affect you? 
    • What emotional reactions does it cause?

    Most beautiful poem group:

    • What is beauty? 
    • Is it just "in the eyes of the beholder?"
    • What makes a beautiful  poem?  (e.g, Beautiful words, images, etc?) 
    • What is beauty to you?

    Most emotive poem group:

    • What does emotive mean? 
    • Can a poem cause your heart to "skip a beat?"

    Most thought-provoking poem group:

    • What are thought provoking poems? 
    • How do ideas in poems affect us? 
    • Are they just thoughts or can they make us feel?  If so, how?

    Most           poem group: (sample questions only)

    • What causes humor? 
    • What makes a poem amusing?  Subject, words, images, etc.?

    2.  Discuss how the poems make you feel. What emotions are evoked?

    3.  Discuss what the poems mean by considering: What primary or literal meanings do I see? What other meanings do I see (figurative, metaphoric, and symbolic).  Consider as many interpretations as meaningfully possible.

    4.  Try to reach consensus in your discussion before selecting the poem that is most exemplary in your given category. Because this poem will be the focus of your group presentation to the class, you should consider why this poem is the best choice.

    C.  Oral Presentation Preparation (1 to 2 days)

    On the second day of small group discussions, when all groups have selected their most exemplary poems, distribute guidelines for the oral presentations.  Use the guide sheet below to provide instructions to your students:

    Oral Presentation Guide Sheet

    (Sample)

    Directions:  Each member of the group must participate verbally in the class presentation.  Divide the following tasks among your group members.  Everyone in the group is responsible for the entire report.  Know what others are going to do and say in case of absenteeism.

    1. Read your poem aloud to the class.  Read it to make sense; read it to make a dramatic or powerful presentation.  Practice several readings before your presentation and allow your group members to critique your reading.

    2.  Define the nature of your category to the class.  Explain the criteria that were used to select the poems in your category.

    3.  Explain the meaning of the poem.  You may consider a primary and then a deeper meaning if you want.  Offer several  interpretations when appropriate. Do you see any figurative or symbolic meanings?  Do you see any connections between your poem and the railroad in The Song of the Lark

    4.  Point to any particular poetic devices which may explain the meaning of your poem or its emotional effect.  Identify relevant images, sound devices, lines, figures of speech, etc.

    5.  Explain why the poem was selected and what other poems were considered and rejected.

    [Optional:  Instruct the groups to make a poem poster to use as a working prop for the presentation.  The poster may include the obvious (title and author), in addition to some lines from the poem that illustrate the category, drawings illustrating key symbols, colors that evoke imagery, etc.]

    D.  Presentations and Class Discussion (at least 2 days)

    Since the same text and or set of railroad poems will be used by the class, each student can carefully follow along as the poem is read aloud.  Encourage your students to challenge the presenters with a poem they feel equal or more exemplary than the one that the group offers.  Since students originally found poems for all categories and had to explain their choices in writing and to their group, they have additional poems to offer which makes the class discussion lively.

Assessment

    Below are suggestions for evaluating student participation and comprehension of this lesson:

  • As a homework assignment or as a class period exam, ask students to write a comparison/contrast essay of two railroad poems from the same category, evaluating them according to the oral presentation guidelines.
  • Give students a new railroad poem and assign an in-class analysis that is graded against a rubric made from the oral presentation guidelines.
  • In an in-class test, students choose from three railroad poems and link them to The Song of the Lark.  Instruct them to analyze how one of the main characters would react to the poem's subject, theme, etc.
  • Assign students to write a poem about the railroad from the point of view of one of the novel's main characters.  ( See Edgar Lee Master's A Spoon River Anthology.)
  • Other Applications for Railroad Theme Lessons

      This lesson was designed to teach students about the prevalence and use of railroad imagery in literature.  This pervasiveness of railroads was no mere coincidence. After all, railroads were the General Motors, or more accurately, the Microsoft of their day. Beginning in 1840, railroads were the dominant industry and technology of the century.  In California, railroad magnates Huntington, Stanford, Crocker, and Hopkins amassed huge fortunes from their railroad competition.  This competition culminated in 1869 with the hammering of the Golden Spike at Promontory, Utah, completing the race between the Union and Central Pacific railroads.  The event resulted in a economic boom for the nation.  Additionally, because the West was no longer isolated, there was a great population shift from eastern to western United States. Of course without the labor of Irish and Chinese immigrants and the sweat of African Americans, this gigantic undertaking would not have been accomplished.

      Given the historical importance of railroads, this lesson could be linked to others that focus on the rich era of the post-Civil War period.  You could select poems and songs to show the multicultural contributions that went into building the Transcontinental Railroad.

    Railroad Poetry Resources

         Print Publications:

      Hedin, Robert, ed., The Great Machines: Poems and Songs of the American Railroad. Iowa City: University of Iowa Press, 1996

      Cruz, Victor Hernandez. "Going uptown to visit Miriam." New York Poems. Howard Moss, ed. New York: Avon Books, 1980.

    Suggested Poems for Study:

      (Note: Poems taken from The Great Machine)

      Author

      Title

      (Anonymous)

      "Poor Paddy Works on the Railway"

      (Anonymous)

      "John Henry"

      Robert Bly

      "Looking at New-Fallen Snow from a Train"

      Philip Booth

      "Caboose"

      Delmore Brothers

      "The Wabash Cannonball"

      Sterling A. Brown

      "Long Track Blues"

      Joseph Bruchac, III

      "Let the Midnight Special"

      Michael Collier

      "North Corridor"

      Emily Dickinson

      "I Like To See It Lap the Miles"

      Lawrence Ferlinghetti

      "Starting from San Francisco"

      Robert Francis

      "Night Train"

      David Graves George

      "Wreck of the Old '97"

      Reginald Gibbons

      "American Trains"

      Robert Hedin

      "The Wreck of the Great Northern"

      Langston Hughes

      "Freedom Train"

      Randall Jarrell

      "On the Railway Platform"

      Leadbelly

      "The Midnight Special"

      Dorianne Lux

      "The Children's Train"

      Archibald MacLeish

      "Burying Ground by the Ties"

      Howard Nemerov

      "Low Level Cross-Country"

      Michael Pettit

      "Self-Portrait Approaching Promontory,Utah"

      Sylvia Plath

      "Gettting There"

      Theodore Roethke

      "Night Journey"

      Carl  Sandburg

      "The Limited"

      T. Lawrence Seibert

       "Casey Jones"

      Gary Soto

      "Who Will Know Us"

      William Stafford

      "Holding the Sky"

      May Swenson

      "Riding the A"

      Walt Whitman

      "To a Locomotive in Winter"

      William Carlos Williams

       "To Freight Cars in the Air"
















































       

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    Ruby Bernstein teaches at Laney College in Oakland, California.
    Nan Gorrell of Morristown High School in Morristown, New Jersey contributed to this lesson.

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